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Programvare navn |
Beskrivelse |
| BOD_BI.TTF |
Office 2010
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Modern serif
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| BOD_BLAI.TTF |
Office 2010
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Modern serif
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| BOD_BLAR.TTF |
Office 2010
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Modern serif
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| BOD_CB.TTF |
Office 2010
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Modern serif
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| BOD_CBI.TTF |
Office 2010
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Modern serif
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| BOD_CI.TTF |
Office 2010
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Modern serif
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| BOD_CR.TTF |
Office 2010
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Modern serif
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| BOD_I.TTF |
Office 2010
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Modern serif
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| BOD_PSTC.TTF |
Office 2010
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TrueType Font
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| BOD_R.TTF |
Office 2010
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Modern serif
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| BOOKOS.TTF |
Office 2010
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The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known
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| BOOKOSB.TTF |
Office 2010
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The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known
|
| BOOKOSBI.TTF |
Office 2010
|
The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known
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| BOOKOSI.TTF |
Office 2010
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The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known
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| BRADHITC.TTF |
Office 2010
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TrueType Font
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| Bragga.ttf |
Office 95
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TrueType Font
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| BRITANIC.TTF |
Office 2010
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TrueType Font
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| BRLNSB.TTF |
Office 2010
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Berlin Sans is based on a brilliant alphabet from the late twenties, the first sans that Lucian Bernhard ever designed, imaginative and little-known. Assisted by Matthew Butterick, David Berlow expanded the single font into a series of four weights, all f
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| BRLNSDB.TTF |
Office 2010
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Berlin Sans is based on a brilliant alphabet from the late twenties, the first sans that Lucian Bernhard ever designed, imaginative and little-known. Assisted by Matthew Butterick, David Berlow expanded the single font into a series of four weights, all f
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| BRLNSR.TTF |
Office 2010
|
Berlin Sans is based on a brilliant alphabet from the late twenties, the first sans that Lucian Bernhard ever designed, imaginative and little-known. Assisted by Matthew Butterick, David Berlow expanded the single font into a series of four weights, all f
|
| BROADW.TTF |
Office 2010
|
TrueType Font
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| BroMDL2.ttf |
Windows 10
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TrueType Font
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| browa.ttf |
Windows 8.1
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TrueType Font
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| browab.ttf |
Windows 8.1
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TrueType Font
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| browai.ttf |
Windows 8.1
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TrueType Font
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| browau.ttf |
Windows 8.1
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TrueType Font
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| browaub.ttf |
Windows 8.1
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TrueType Font
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| browaui.ttf |
Windows 8.1
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TrueType Font
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| browauz.ttf |
Windows 8.1
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TrueType Font
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| browaz.ttf |
Windows 8.1
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TrueType Font
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| BrowserMDL.ttf |
Windows 10
|
TrueType Font
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| BRUSHSCI.TTF |
Office 2010
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This heavy, informal script looks as though it was written with a brush because its lowercase letters join together. Use the uppercase letters primarily as initials, although you might find it interesting to use all capitals of this typeface for some word
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| BSSYM1.TTF |
Office 95
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TrueType Font
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| BSSYM2.TTF |
Office 95
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TrueType Font
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| BSSYM3.TTF |
Office 95
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TrueType Font
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| BSSYM7.TTF |
Office 2010
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TrueType Font
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| calibri.ttf |
Office 2007
|
Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| calibrib.ttf |
Office 2007
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Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| calibrii.ttf |
Office 2007
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Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| calibril.ttf |
Office 2013
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Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| calibrili.ttf |
Office 2013
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Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| calibriz.ttf |
Office 2007
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Calibri is a modern sans serif family with subtle roundings on stems and corners. It features real italics, small caps, and multiple numeral sets. Its proportions allow high impact in tightly set lines of big and small text alike. Calibri's many curves an
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| CALIFB.TTF |
Office 2010
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In 1938 Goudy designed California Oldstyle & Italic, perhaps his most distinguished typeface, for private use of the University of California Press. In 1958 Lanston reissued it generally as Californian. Recently the roman was digitized for California by C
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| CALIFI.TTF |
Office 2010
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In 1938 Goudy designed California Oldstyle & Italic, perhaps his most distinguished typeface, for private use of the University of California Press. In 1958 Lanston reissued it generally as Californian. Recently the roman was digitized for California by C
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| CALIFR.TTF |
Office 2010
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In 1938 Goudy designed California Oldstyle & Italic, perhaps his most distinguished typeface, for private use of the University of California Press. In 1958 Lanston reissued it generally as Californian. Recently the roman was digitized for California by C
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| CALIST.TTF |
Office 2010
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A typeface whose appeal as a text face lies in its very even colour on the page, while its robust construction means that it can wrk equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions of the f
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| CALISTB.TTF |
Office 2010
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A typeface whose appeal as a text face lies in its very even colour on the page, while its robust construction means that it can wrk equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions of the f
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| CALISTBI.TTF |
Office 2010
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A typeface whose appeal as a text face lies in its very even colour on the page, while its robust construction means that it can wrk equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions of the f
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| CALISTI.TTF |
Office 2010
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A typeface whose appeal as a text face lies in its very even colour on the page, while its robust construction means that it can wrk equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions of the f
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| cambriab.ttf |
Office 2007
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Cambria has been designed for on-screen reading and to look good when printed at small sizes. It has very even spacing and proportions. Diagonal and vertical hairlines and serifs are relatively strong, while horizontal serifs are small and intend to empha
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